80 PUNCHMAGAZINE.COM BEFORE AFTER {home & design} ings, details and a great design culture. Studying and working in the City, I had the opportunity to be creative with trade essentials such as millwork and cabinetry.” Christin’s creative juices have spilled over into other artistic endeavors. Recently, she launched Fennel Home, her own collection of textiles made by hand by U.S. artisans. “Pillows, textiles and draperies are a big part of the design process,” asserts Christin. “They add a lot of personality to a project.” She works with single-batch weavers using all-natural materials like hemp, merino wool and cotton. “I am amazed at these people who can create beautiful textiles removing the heavier light fixtures and replacing them with modern wall and ceiling lights, visually lifting the ceiling. “We chose a brass chandelier for the dining room that was sculptural, simple and fun,” she explains. “I enjoyed adding a little saturation and moody light to the space. We also added charcoal drapes in the master bedroom and traditional accents to ground the room and provide calm.” Originally from Canada, Christin grew up in Ottawa and studied sociology. However, her creative side won out and she moved to San Francisco to pursue her masters in interior design at the Academy of Art University. “Coming to San Francisco definitely opened up my eyes,” she recalls. “San Francisco has such interesting history, amazing build-
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